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DTSTART;TZID=America/Chicago:20250702T110000
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DTSTAMP:20260611T132157
CREATED:20250803T154701Z
LAST-MODIFIED:20250803T154701Z
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SUMMARY:Johnny Carson The King Of Late Night
DESCRIPTION:Johnny Carson\, The King Of Late Night\nFor thirty years\, America went to bed with Johnny Carson.  He was a constant presence in American popular culture from JFK until Bill Clinton. \nBut as much as America loved him\, they didn’t know him.  Carson has been called the most private man ever to be a public figure. In this fast-paced multimedia presentation\, the life of the private man will come to life – interspersed\, of course\, with clips from his many wonderful TV shows – especially The Tonight Show. \n  \n 
URL:https://barrybradford.com/schedules/johnny-carson-the-king-of-late-night-2/
LOCATION:Private Venue
CATEGORIES:Cultural History
ATTACH;FMTTYPE=image/jpeg:https://barrybradford.com/wp-content/uploads/carnac-the-magnificent.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250707T140000
DTEND;TZID=America/Chicago:20250707T150000
DTSTAMP:20260611T132157
CREATED:20241221T201248Z
LAST-MODIFIED:20241221T201248Z
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SUMMARY:TV In The 1970s
DESCRIPTION:TV IN THE 1970s \nWhat was television like during the 1970s? \nIt was the decade of Roots and The Love Boat.  Silly television comedies were everywhere!  The 1970s was the decade of Laverne & Shirley\, The Fonz\, Mork and Mindy\, WKRP in Cincinnati\, Three’s Company\, The Brady Bunch\, and the Partridge Family. \nDramas became very formulaic and\, for the most part\, somewhat bland.  But Norman Lear created All in the Family\, a groundbreaking comedy that led to a national debate about racism\, conservatism\, homophobia\, abortion\, mental illness\, and almost every important social issue of the time.  And they did so in a way that was so funny that the show was the top-ranked show on television for a record five consecutive years.  As Archie Bunker became the voice of  Richard Nixon’s “Silent Majority\,” other topical comedies such as Chico and the Man\, The Jeffersons\, Sanford and Son\, Maude\, and Good Times began to change the face of what television situation comedies would look like. \nPerhaps no one changed the role of women on television more than Mary Tyler Moore.  Her program broke ground with a monumentally popular view of a single working woman in a professional career. \nFinally\, M*A*S*H   captivated America with his unique and unforgettable combination of drama\, comedy\, politics\, and personality set against the backdrop of the Korean War\, opening a discussion about what had happened in Vietnam. \nThis fast-moving multimedia presentation is more than nostalgic.  It’s also an insightful look at what we were watching and why we were watching it at that moment.  The 1970s were a unique decade\, and television reflected and shaped how we lived. \n 
URL:https://barrybradford.com/schedules/tv-in-the-1970s-6/
LOCATION:Private Venue
CATEGORIES:Cultural History
ATTACH;FMTTYPE=image/jpeg:https://barrybradford.com/wp-content/uploads/allinthefamily-26-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250709T140000
DTEND;TZID=America/Chicago:20250709T150000
DTSTAMP:20260611T132157
CREATED:20241221T003914Z
LAST-MODIFIED:20241221T003914Z
UID:13786-1752069600-1752073200@barrybradford.com
SUMMARY:TV In The 1970s
DESCRIPTION:TV IN THE 1970s \nWhat was television like during the 1970s? \nIt was the decade of Roots and The Love Boat.  Silly television comedies were everywhere!  The 1970s was the decade of Laverne & Shirley\, The Fonz\, Mork and Mindy\, WKRP in Cincinnati\, Three’s Company\, The Brady Bunch\, and the Partridge Family. \nDramas became very formulaic and\, for the most part\, somewhat bland.  But Norman Lear created All in the Family\, a groundbreaking comedy that led to a national debate about racism\, conservatism\, homophobia\, abortion\, mental illness\, and almost every important social issue of the time.  And they did so in a way that was so funny that the show was the top-ranked show on television for a record five consecutive years.  As Archie Bunker became the voice of  Richard Nixon’s “Silent Majority\,” other topical comedies such as Chico and the Man\, The Jeffersons\, Sanford and Son\, Maude\, and Good Times began to change the face of what television situation comedies would look like. \nPerhaps no one changed the role of women on television more than Mary Tyler Moore.  Her program broke ground with a monumentally popular view of a single working woman in a professional career. \nFinally\, M*A*S*H   captivated America with his unique and unforgettable combination of drama\, comedy\, politics\, and personality set against the backdrop of the Korean War\, opening a discussion about what had happened in Vietnam. \nThis fast-moving multimedia presentation is more than nostalgic.  It’s also an insightful look at what we were watching and why we were watching it at that moment.  The 1970s were a unique decade\, and television reflected and shaped how we lived. \n 
URL:https://barrybradford.com/schedules/tv-in-the-1970s-5/
LOCATION:Private Venue
CATEGORIES:Cultural History
ATTACH;FMTTYPE=image/jpeg:https://barrybradford.com/wp-content/uploads/allinthefamily-26-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250714T130000
DTEND;TZID=America/Chicago:20250714T140000
DTSTAMP:20260611T132157
CREATED:20250712T150029Z
LAST-MODIFIED:20250712T150029Z
UID:14231-1752498000-1752501600@barrybradford.com
SUMMARY:Julia Child: Spy And Chef
DESCRIPTION:Julia Child: Spy And Chef\n \nIn 1963\, Julia Child became the first national superstar chef on TV! \nHer program “The French Chef” was so influential that the Smithsonian Institute features her kitchen\, intact\, as a permanent exhibit!  Julia Child changed how America thought about food\, became the first star of public broadcasting\, opened the doors for cooking on television\, and became one of the first and most essential faces of public broadcasting.  Quite a legacy for a woman who was neither French nor a chef! \n There was another long-secret side to Julia Child that she hid for many decades. \nIn 1943\, twenty years before her cooking and media skills became famous\, Julia Child served in America’s top-secret spy corps during World War II!  The fantastic Julia Child worked in the Office of Strategic Services (OSS) – the predecessor to the Central Intelligence Agency! \n \nUtilizing a very high level of security clearance\, exceptional organizational skills\, and endless optimism and resourcefulness\, the former party girl from California served America as her nation.  She worked at the right hand of “Wild Bill” Donovan\, the head of America’s foreign spies!  Paul\, Julia Child\, moved from one dangerous overseas post to another with her husband\, serving our country before learning to cook. \n  \nThe daring story of Julia Child in the OSS is only one of the delights in this unique\, funny\, and fascinating multimedia presentation!  We will look at how she changed public television\, how America cooked and ate\, and had a lot of fun in everything she attempted! \n  \n  \n 
URL:https://barrybradford.com/schedules/julia-child-spy-and-chef-5/
LOCATION:Private Venue
CATEGORIES:Cultural History,Economic History,Women's History
ATTACH;FMTTYPE=image/jpeg:https://barrybradford.com/wp-content/uploads/Julia-Child-cooking-a-feast.jpg
ORGANIZER;CN="NSSC - Lifelong Learning":MAILTO:LifelongLearning@nssc.org
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250716T133000
DTEND;TZID=America/Chicago:20250716T133000
DTSTAMP:20260611T132157
CREATED:20241220T205856Z
LAST-MODIFIED:20241220T210347Z
UID:13763-1752672600-1752672600@barrybradford.com
SUMMARY:TV In The 1970s
DESCRIPTION:TV IN THE 1970s \nWhat was television like during the 1970s? \nIt was the decade of Roots and The Love Boat.  Silly television comedies were everywhere!  The 1970s was the decade of Laverne & Shirley\, The Fonz\, Mork and Mindy\, WKRP in Cincinnati\, Three’s Company\, The Brady Bunch\, and the Partridge Family. \nDramas became very formulaic and\, for the most part\, somewhat bland.  But Norman Lear created All in the Family\, a groundbreaking comedy that led to a national debate about racism\, conservatism\, homophobia\, abortion\, mental illness\, and almost every important social issue of the time.  And they did so in a way that was so funny that the show was the top-ranked show on television for a record five consecutive years.  As Archie Bunker became the voice of  Richard Nixon’s “Silent Majority\,” other topical comedies such as Chico and the Man\, The Jeffersons\, Sanford and Son\, Maude\, and Good Times began to change the face of what television situation comedies would look like. \nPerhaps no one changed the role of women on television more than Mary Tyler Moore.  Her program broke ground with a monumentally popular view of a single working woman in a professional career. \nFinally\, M*A*S*H   captivated America with his unique and unforgettable combination of drama\, comedy\, politics\, and personality set against the backdrop of the Korean War\, opening a discussion about what had happened in Vietnam. \nThis fast-moving multimedia presentation is more than nostalgic.  It’s also an insightful look at what we were watching and why we were watching it at that moment.  The 1970s were a unique decade\, and television reflected and shaped how we lived. \n 
URL:https://barrybradford.com/schedules/tv-in-the-1970s-4/
LOCATION:Private Venue
CATEGORIES:Cultural History
ATTACH;FMTTYPE=image/jpeg:https://barrybradford.com/wp-content/uploads/allinthefamily-26-1.jpg
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